1.A detailed analysis of sites visited, materials explored, readings and interviews held in relation to the London fashion and creative industries. 2. Footnotes to reference. ANSWER London fashion and creative industries Creativity has been considered and published as the core business in London. Fashion and creative industries refer to a wide range of business activities that are undertaken to create and utilize information and knowledge for the benefit of humanity. It involves activities such as art, crafts, design, fashion, advertisement, film, publishing, music, research and development among other creative activities. The London fashion and creative industries has been seen as a major employer in London and increasingly becoming significant to economic prosperity. It creates more input in London more than hospitalities and utilities. It is reported that the fashion and creative industries in London contribute over 70% of income and over 50% of employment opportunities in London. (UNESCO, 23). The London fashion and creative industries are characterized by several properties both of arts and of economics. The products resulting from creativity are often unique, original and new, this means that the demand in the market by consumers is always uncertain and unpredictable. (Caves and Richard, 25). The creative workers in London work for the sake of their uniqueness, originality and professional skills and talents as opposed to the wages associated with their work. There is also the element of specialization and division of labor in the whole process of producing a creative product. For the output to be complete, each skill, input necessary and talents available must be employed and interplayed. The products are also differentiated by quality and originality since every product should be distinct from others. Fashion and creative industries have been closely related to the business sector in London. This business relationship is supported by confirmation of the location of the creative industries. The London local area research already indicated that the fashion and creative industries show a profound concentration, predominantly for major driver industries like the Advertising sector, the Architecture sector, and Radio and Television sectors, around and near the core business area comprising the City and its direct borders. (Heur, Bas, 209). Even the employment in fashion and creative industries is considered in terms of those employed directly in the fashion and creative industries, those who are self- employed in fashion and creative industries and those individuals who have creative occupations but are not working in the creative industries. The fashion and creative industries in London is characterized by instability due to the luxurious nature of the industries. The money used to grow and develop the fashion and creativity industries is dependent on the level of income left disposable by the rich London dwellers and the amount invested by the business industry in fashion and creative business. If the level of disposable income for the rich decreases, the fashion and creative industries also decline in terms of activities. (Howkins and John, 15). The period between 1994 and 2000 saw a rapid growth in the private sector in London. With this, the fashion and creative industries in London also rapidly expanded facilitated by the finance and business services offered by the private sector. So far, there is a close relationship in growth and development between the private sector and the fashion and creative industries in London. The growth of the private sector has a positive impact on the growth of the fashion and creative industries in London and the decline in the private sector has a negative impact on the expansion of the creative industries. (Towse and Ruth, 235). The London Development Agency (LDA) The London development agency is one of the branches of the Great London Authority that was formed in 1999 to look out for small and medium businesses and those with the capacity to grow, to support them financially and with technical skills for their growth and development. (GLA, 51).The London Development Agency has been tremendously involved in the initiatives and projects aimed at motivating and growing the fashion and creative industries in London. LDA adopted a policy known as work and study, which has seen a wide range of positive effects and in the fashion and creative industries in London in terms of innovation or idea creation, making, transmission, distribution and consumption of the products in fashion and creative industries in London. Even before 1998, there were activities in the fashion and creative industries in London, but with the establishment of the London Development Agency that came up with clear policies, guidelines, mission, vision and objectives for the fashion and creative industries in London, much has been achieved since 1999. (GLA, 101). The growth and development in the fashion and creative industries in London is now steady and streamlined. All the activities in fashion and creative industries were brought together under one national agenda, that is, to put up and expand the economy and the society through creativity.The LDA enhanced support for creativity by identifying and motivating the creative hubs, especially the film and design subsectors of the industries. The LDA also helps by giving financial support for acquiring workspaces and organizing intellectual property seminars. In 2006 for example, the design sector was benefited through the design and festival held in London to provide a showcase for a wide range of design companies, that is, the graphic design, media and advertisement. The film, fashion, and music sectors have also gained from such initiatives since the year 2000. (Hesmondhalgh and David, 203). The UK Department for Culture, Media and Sports (DCMS) The department for culture, media and sports has categorized fashion and creative industries in London as industries that have their foundation in individual creativity, expertise and talent that are capable of creating jobs through the creation and utilization of intellectual property. The DCMS`s list in 2001 classified the fashion and creative industries in London into 12 sectors, that is, radio, design, film, publishing, music, television, crafts, advertising, fashion, architecture and arts. (DCMS, 21). All these sectors have led to a massive economic development and growth and in creation of employment opportunity in London by far. DCMS has been very instrumental in the development of fashion and creative industries through its policies and guidelines for the industries. Considering the DCMS mapping and the DCMS evidence tool kit, a methodology has been developed to foster the growth and sustainability of the fashion and creative industries in London. These policies and methodologies have influenced the prosperity and success of the industries in London. Several issues such as gender and ethnicity, private sector involvement, fluctuation in employment, differential regional development and cyclical or economic variation, mar the fashion and creative industries in London. (DCMS, 19). Still it stands out as the most promising industries in London in job creation and revenue generation for London and the entire United Kingdom. The London Development Agency is working closely with other stakeholders to ensure that all policies and guidelines are streamlined with the aim of sustaining growth and development in the fashion and creative industries. Work cited Caves, Richard E, Creative Industries: Contracts between Art and Commerce, Harvard Univ. Press. 2000. Print. DCMS, Creative Industries Mapping Document 2000. (2 ed.), London, UK: Department of Culture, Media and Sport. 2001. Print. DCMS, Creative Industries Statistical Estimates Statistical Bulletin. London, UK: Department of Culture, Media and Sport. 2006. Print. GLA Economics, Creativity: Londons Core Business. London: GLA. 2002. Print. GLA Economics, Londons Creative Sector: 2004 Update. London: GLA. 2004. Print. Hesmondhalgh, David, The Cultural Industries, SAGE. 2002. Print. Howkins, John, The Creative Economy: How People Make Money From Ideas, Penguin. 2001. Print. Towse, Ruth. Book Review of Creative Industries, Journal of Political Economy, 110. 2002. Print. UNESCO, Creative Industries ? UNESCO Culture, UNESCO. 2009. Print. Van Heur, Bas, Creative Networks and the City: towards a Cultural Political Economy of Aesthetic Production. Bielefeld. 2010. Print. Submitting high quality Essays,Research Papers, Term Papers, is the only way students can score high grades( As). Students ought to hire professional Writing Service providers who can deliver high quality work within the allocated time. Click to ORDER NOW It’s only fair to share